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Disco has had several revivals, including in 2005 with Madonna's highly successful album Confessions on a Dance Floor, and again in 20, as disco-styled songs by artists like Daft Punk (with Pharrell Williams and Nile Rodgers), Justin Timberlake, Breakbot, and Bruno Mars—notably Mars' "Uptown Funk"—filled the pop charts in the UK and the US.
The term disco is derived from discothèque (French for "library of phonograph records", but it was subsequently used as a term for nightclubs in Paris).
Its popularity was achieved sometime during the mid-1970s to the early 1980s. Disco can be seen as a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period.
Several dances styles were also developed during this time including the Bump and the Hustle.
Many non-disco artists recorded disco songs at the height of disco's popularity, and films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's rise in mainstream popularity. Studio 54, a venue popular among celebrities, was a well-known disco club of that time.
Discotheque-goers often wore expensive, extravagant and sexy fashions.
In 1974 there were an estimated 25,000 mobile discos and 40,000 professional disc jockeys in the United Kingdom.
It began to emerge from America's urban nightlife scene, where it had been curtailed to house parties and makeshift discotheques from the middle of the decade onwards, after which, it began making regular mainstream appearances, gaining popularity and increasing airplay on radio. were club-goers, both male and female, from the African American, Italian American, Latino, and psychedelic communities in Philadelphia, Chicago, San Francisco, and New York City during the late 1960s and early 1970s.Psychedelic soul groups like the Chambers Brothers and especially Sly and the Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the soul style known as the Philadelphia Sound. The first article about disco was written in 1973 by Vince Aletti for Rolling Stone magazine. Early disco was dominated by record producers and labels such as Salsoul Records (Ken, Stanley, and Joseph Cayre), West End Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter), to name a few.Philadelphia soul and New York soul were evolutions of the Motown sound, and were typified by the lavish percussion, lush string orchestra arrangements and expensive record production processes that became a prominent part of mid-1970s disco songs. The genre was also shaped by Tom Moulton, who wanted to extend the enjoyment of dance songs — thus creating the extended mix or "remix", going from a three-minute 45 rpm single to the much longer 12" record.Early songs with disco elements include "You Keep Me Hangin' On" (the Supremes, 1966), "Soul Makossa" (Manu Dibango, 1972), "Superstition" by Stevie Wonder (1972) Eddie Kendricks' "Keep on Truckin'" (1973) and "The Love I Lost" by Harold Melvin and the Blue Notes (1973). Other influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Nicky Siano, Shep Pettibone, Larry Levan, Walter Gibbons, and Chicago-based Frankie Knuckles.Frankie Knuckles was not only an important disco DJ; he also helped to develop house music in the 1980s, a contribution which earned him the honourific title of "Godfather of House".